Venue: Latitude Festival, Henham Park, Suffolk
Writer/Performer: Kate Tempest
This review first appeared on the Whatsonstage.com website
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Kate Tempest |
If Shakespeare were alive today, he’d probably be writing in the same style as Kate Tempest.
She’s got an eye for social issues, a way with words, and she knows how
to get an audience wound up. But this is Shakespeare of the streets –
Tempest has no interest in the machinations of a Royal Court or dual
identities.
Now, as a bit of a performance poet
himself, this reviewer has seen a lot of angry young urbans in pubs and
cafés proclaiming on all sorts of issues, but surely none has ever
raised the bar as high as Tempest, who rhymed her way through a
90-minute epic about how two London families interact across the years.
This isn’t poetry – it's rap, performance art, hip-hop
patter-song all rolled into one. Indeed, Tempest – backed by her
four-piece band Sound of Rum – sings en-route occasionally, but the tune
is almost subliminal and barely registers on the senses.
Those expecting a calm delivery of Brand New Ancients,
though, will be disappointed. Tempest’s style is passionate and
chaotic. Scans and bridges are stretched impossibly and just as she gets
into a rhythm, Tempest shocks by changing it mid-line.
She
apologises for the profanity and then does it all over again because the
piece needs it. She feels every word she utters and slings each
syllable at the audience with consummate ease. Kate Tempest is a rare talent and a name on the horizon with far more potential than she perhaps recognises.
PAUL COUCH
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